#Analysis of radi os series#

A grain of sand if looked at long enough waxes first as glowing, then as large as a moon. Thoreau questioned, 'Who placed us with eyes between a microscopic and a telescopic world?' All is built from this position, a solid construct in the apparently invisible, exact words illuminating the ineffable. To see the world in a grain of sand, to see the word in a grain of sand, this is where the poem begins. (1970) I have been primarily influenced by the Black Mountain school of poetry, i.e., Charles Olson out of Ezra Pound, Louis Zukofsky, and Williams. Manuscript Collection: University of Kansas, Lawrence.Ĭritical Study: In Vort 9 (Bloomington, Indiana). Edinburgh, Wild Hawthorn Press, 1965 Urbana, Illinois, Finial press, 1969* Translator, Sports and Divertissments, by Erik Satie.

New York, Simon and Schuster, 1989.Ĭompany Fare. Simple Fare: Rediscovering the Pleasures of Real Food. Albuquerque, University of New Mexico Press, 1985 revised edition, as The Aficionado's Southwestern Cooking, Albuquerque, Living Batch Press, 1993. Albuquerque, University of New Mexico Press, 1968. Berkeley, California, North Point Press, 1980.ĪRK 50: Spires 34–50. RADI OS I-IV: San Francisco, Sand Dollar, 1977.ĪRK: The Foundations 1–33. Cambridge, Massachusetts, Pomegranate Press, 1973.Įyes and Objects. New York, Norton, 1969.īalloons for Moonless Nights. Urbana, Illinois, Finial Press, 2 vols., 1968. New York, Norton, and London, Longman, 1967. Dunsyre, Lanarkshire, Wild Hawthorn Press, 1966.

Woodchester, Gloucestershire, John Furnival, 1966. Bloomington, Indiana University Fine Arts Department, 1966. Highlands, North Carolina, Jargon, 1964.Īssorted Jungles: Rousseau. Publications PoetryĪ Line of Poetry, A Row of Trees. Address: 1490 Prince Street, Berkeley, California 94702, U.S.A.

#Analysis of radi os series#

Awards: Inez Boulton award ( Poetry, Chicago), 1964 National Endowment for the Arts grant, 1969, 1974 National Poetry Series prize, 1984. Career: Poet-in-residence, University of Kentucky, Lexington, 1970–71, University of Washington, Seattle, 1972 the Wallace Stegner Advanced Writing Workshop, Stanford University, 1991, and Roberta Holloway Poet, University of California at Berkeley, 1994. Education: Columbia University, New York, B.A. Ronald Johnson, “The Planting of the Rod of Aaron,” Northern Lights Studies in Creativity 2 (1985–86), 2.Nationality: American. Daniel Peck (Harmondsworth: Penguin, 1995, 45. Henry David Thoreau, A Year in Thoreau’s Journal, ed. Tipler, The Anthropic Cosmological Principle (New York: Oxford University Press, 1988), 4. Book III: Excerpts and Fragments (York Beach, Maine: Samuel Weiser, Inc., 2001): 181, 183. Mead, Thrice Greatest Hermes: Studies in Hellenistic Theosophy and Gnosis. Hans-Josef Klauck, Apocryphal Gospels: An Introduction (New York: Continuum, 2003), 1.Įlaine Pagels, The Gnostic Gospels (Harmondsworth: Penguin, 1990), 22. Italo Calvino, If On A Winter’s Night A Traveller (London: Vintage Books, 1998), 183.Ĭraig Dworkin, Reading the Illegible (Evanston, Illinois: Northwestern University Press, 2003), 127. Vogler (Berkeley, Los Angeles, and London: University of California Press, 1986), 142. Vogler, “Re: Naming MLL/TON,” in Unnam’d Forms: Blake and Textuality, ed. Edward Arber (Birmingham: English Reprints, 1868), 70. Northrop Frye, Fearful Symmetry: A Study of William Blake (Princeton, New Jersey: Princeton University Press, 1992), 346. Behrendt, The Moment of Explosion: Blake and the Illustration of Milton (Lincoln and London: University of Nebraska Press, 1983), 11. Robert Duncan, Roots and Branches (New York: New Directions, 1964), 48. Erdman (Berkeley and Los Angeles: University of California Press, 1982), 110. William Blake, Complete Poetry and Prose, ed. William Harmon, “The Poetry of a Journal at the End of an Arbor in a Watch,” Parnassus: Poetry in Review 9 (Spring/Summer 1981), 224. Guthrie, Orpheus and Greek Religion: A Study of the Orphic Movement (Princeton, New Jersey: Princeton University Press, 1993), 97.